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Mro--First Looks
- pareidoliac
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18 years 3 weeks ago #19016
by pareidoliac
Replied by pareidoliac on topic Reply from fred ressler
Neil and Tom- As i said posting the negative would prove nothing. i could photoshop (which i don't) and then film it and show that. i use 35mm film, 20x30 white board, natural tree shadows, (mostly laurel oak), tree leaves generally 20 to 40 feet from white board, natural sunlight, no photoshop, some contrast and light/dark alteration when printed to get blacks black and whites white, photos taken in every season, no dodging and/or burning at all in printing from negatives. In fact once a dust spot appeared in center of pupil which enhanced the image i asked the printer to reprint it to make sure the image i showed was un-altered.
The ONLY WAY for you to get an idea of the process is do it yourself. It may take 7 hours average to find an image (my average), but we have spent more than that already going back and forth talking here. Take a white foam board covered with white paper (to save on foam core boards), get brilliant sun on totally cloudless day as possible, look for shadows on ground that look interesting with equal parts light and shadow, walk over and intercept them holding board perpendicular to sun with trees 20 or 30 feet above. You will be amazed. Seek and you will find. It may have something to do with metaphysics which is the real interesting part to me. i feel these images were given to me because i was naive, non-materialistic, foolish, or given to prove solipsism to save the planet by ending dualism and war. Now that i have been "discovered," and am "notorious" and largely ignored the images seem to show up less. People don't do this because it doesn't pay. It is here to show us what killed god and the worthless paper that replaced it. Everything used to follow the natural flow of light as is seen in these images, this has been subverted so no one is really concerned with pareidolia. No one makes a living off of it.
Tom- If you have any connections i would be glad to take part in an intensive study to study this greatest phenomenon in the universe and see what elaborate pareidolia we can come up with. I am convinced with adequate equipment we could capture the "last supper", or the equivilent within 4 years. i could surely use the gig at this point, and having the highest recorded number of features recorded in a pareidolic image (36 if one counts the philtrum on "Einstein")," being an optometrist i believe i have the credentials. i have a few ideas i'll save till you hire me. This seems right up your alley. You could virtually prove that god might have been dead, but now thanks to pareidolia has been resurected.
The ONLY WAY for you to get an idea of the process is do it yourself. It may take 7 hours average to find an image (my average), but we have spent more than that already going back and forth talking here. Take a white foam board covered with white paper (to save on foam core boards), get brilliant sun on totally cloudless day as possible, look for shadows on ground that look interesting with equal parts light and shadow, walk over and intercept them holding board perpendicular to sun with trees 20 or 30 feet above. You will be amazed. Seek and you will find. It may have something to do with metaphysics which is the real interesting part to me. i feel these images were given to me because i was naive, non-materialistic, foolish, or given to prove solipsism to save the planet by ending dualism and war. Now that i have been "discovered," and am "notorious" and largely ignored the images seem to show up less. People don't do this because it doesn't pay. It is here to show us what killed god and the worthless paper that replaced it. Everything used to follow the natural flow of light as is seen in these images, this has been subverted so no one is really concerned with pareidolia. No one makes a living off of it.
Tom- If you have any connections i would be glad to take part in an intensive study to study this greatest phenomenon in the universe and see what elaborate pareidolia we can come up with. I am convinced with adequate equipment we could capture the "last supper", or the equivilent within 4 years. i could surely use the gig at this point, and having the highest recorded number of features recorded in a pareidolic image (36 if one counts the philtrum on "Einstein")," being an optometrist i believe i have the credentials. i have a few ideas i'll save till you hire me. This seems right up your alley. You could virtually prove that god might have been dead, but now thanks to pareidolia has been resurected.
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18 years 3 weeks ago #17738
by rderosa
Replied by rderosa on topic Reply from Richard DeRosa
Can I suggest something else? A little self-demonstration. Go out in your backyard or to a park, and find a place on the side of a structure, or garage that has the shadow of a tree on it. Hopefully, the wind is blowing, and there are alot of white areas between the shadows of the leaves. Keep in mind the distances that Fred mentioned. I just did this recently at a park, with the shadow of a silver maple tree on the barn near a rose garden, and also a redwood tree shadow from a distance.
The leaves were anywhere from 5 to 20 feet or so from the barn, for these first two photos, and they were taken within 10 seconds of each other. The camera was set to "auto", "no flash". There was slight cloud cover, but for all intents and purposes, it was "sunny" at the time the pictures were taken.
Exhibit 1 - unprocessed:
Exhibit 2 - unprocessed:
Exhibit 2b - slight histogram adjustment on (2) above. The same histogram adjustment that I've used a thousand times on Mars images. I would consider this a very minor C&B adjustment.
Points of interest in above photos:
1. The first thing you notice is that the shadows appear to be blurry, but if you look at the lines and grain in the wood, you can see that they are not blurry. I believe there are a couple of factors at work. For one thing, it was sporadically windy, so the leaves may or may not have been moving. But equally as important is the fact that there appear to be some complex effects as the light goes through some spaces between leaves, some leaves overlap making them less transparent, and things of that nature. If you look closely, it's as if we are seeing both "umbra" and "penumbra" shadows of various leaves.
2. The second thing you notice is that it appears that the images are flat, and don't have many grayscales. However, on close inspection of the histogram, I found that there was really quite a broad range. I've seen hundreds of Mars images that had less range.
3. Now, examine Exhibit 2b. With a minor adjustment to the histogram (expand midtones, and stretch slightly toward the black), you notice how much clearer the picture gets. Basically, when we C&B adjust, we're also "sharpening" by making the edge gradients steeper.
When I took these, I wasn't officially "looking for faces", but rather I was just snapping pictures of shadows to look at later. Sort of as a "feasability study". But, notice the hint of two large scale faces in the adjusted image. I think Neil would give his eye-tooth for these if they came from Mars.
Exhibit 3. Redwood tree too far away - unprocessed:
Notice how there's almost no contrast at all, and it's blurred almost to an unrecognizable degree. Part of that is due to the fact that the leaves were too far away, but part is also due to the fact that redwood trees have needle type leaves that the sun is shining both around and through.
The bottom line: I have no trouble at all accepting Fred's work at face value (no pun intended).
rd
The leaves were anywhere from 5 to 20 feet or so from the barn, for these first two photos, and they were taken within 10 seconds of each other. The camera was set to "auto", "no flash". There was slight cloud cover, but for all intents and purposes, it was "sunny" at the time the pictures were taken.
Exhibit 1 - unprocessed:
Exhibit 2 - unprocessed:
Exhibit 2b - slight histogram adjustment on (2) above. The same histogram adjustment that I've used a thousand times on Mars images. I would consider this a very minor C&B adjustment.
Points of interest in above photos:
1. The first thing you notice is that the shadows appear to be blurry, but if you look at the lines and grain in the wood, you can see that they are not blurry. I believe there are a couple of factors at work. For one thing, it was sporadically windy, so the leaves may or may not have been moving. But equally as important is the fact that there appear to be some complex effects as the light goes through some spaces between leaves, some leaves overlap making them less transparent, and things of that nature. If you look closely, it's as if we are seeing both "umbra" and "penumbra" shadows of various leaves.
2. The second thing you notice is that it appears that the images are flat, and don't have many grayscales. However, on close inspection of the histogram, I found that there was really quite a broad range. I've seen hundreds of Mars images that had less range.
3. Now, examine Exhibit 2b. With a minor adjustment to the histogram (expand midtones, and stretch slightly toward the black), you notice how much clearer the picture gets. Basically, when we C&B adjust, we're also "sharpening" by making the edge gradients steeper.
When I took these, I wasn't officially "looking for faces", but rather I was just snapping pictures of shadows to look at later. Sort of as a "feasability study". But, notice the hint of two large scale faces in the adjusted image. I think Neil would give his eye-tooth for these if they came from Mars.
Exhibit 3. Redwood tree too far away - unprocessed:
Notice how there's almost no contrast at all, and it's blurred almost to an unrecognizable degree. Part of that is due to the fact that the leaves were too far away, but part is also due to the fact that redwood trees have needle type leaves that the sun is shining both around and through.
The bottom line: I have no trouble at all accepting Fred's work at face value (no pun intended).
rd
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- tvanflandern
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18 years 3 weeks ago #19128
by tvanflandern
Replied by tvanflandern on topic Reply from Tom Van Flandern
<blockquote id="quote"><font size="2" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by pareidoliac</i>
<br />some contrast and light/dark alteration when printed to get blacks black and whites white<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">It still seems odd to me that just three shades of grayscale seem to dominate: all-white, all-black, and all-gray (except for the face, which has natural shading). Might we see the unprocessed, raw, original image before the alterations you mentioned?
<blockquote id="quote"><font size="2" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">The ONLY WAY for you to get an idea of the process is do it yourself.<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">Speaking for myself, I'm quite familiar with the process and have seen lots of pereidolic imagery. We're now trying to get a handle on the frequency of elaborate pereidolia in nature.
<blockquote id="quote"><font size="2" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">It may take 7 hours average to find an image (my average)<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">7 hours of continuously snapping pictures? 7 hours of examining prints spread out on a table? Can you translate this time interval into something more specific, with the goal of estimating how frequently elaborate pereidolia occurs without staging? Thanks. -|Tom|-
<br />some contrast and light/dark alteration when printed to get blacks black and whites white<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">It still seems odd to me that just three shades of grayscale seem to dominate: all-white, all-black, and all-gray (except for the face, which has natural shading). Might we see the unprocessed, raw, original image before the alterations you mentioned?
<blockquote id="quote"><font size="2" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">The ONLY WAY for you to get an idea of the process is do it yourself.<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">Speaking for myself, I'm quite familiar with the process and have seen lots of pereidolic imagery. We're now trying to get a handle on the frequency of elaborate pereidolia in nature.
<blockquote id="quote"><font size="2" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote">It may take 7 hours average to find an image (my average)<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">7 hours of continuously snapping pictures? 7 hours of examining prints spread out on a table? Can you translate this time interval into something more specific, with the goal of estimating how frequently elaborate pereidolia occurs without staging? Thanks. -|Tom|-
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18 years 3 weeks ago #17739
by pareidoliac
Replied by pareidoliac on topic Reply from fred ressler
rd-
please see
skepdic.com/pareidol.html
see this site for another of my photos about 2/3 down the page on the right side of page, put clicker arrow on photo and my name appears. It looks very similar to your photos above, because i shot it on the side of my house which has T-111 grooved siding. The upper right looks blurry but not the lines in the siding or the rest of the image. Shadows can look blurry in spots but are actually clear, it's because they are patterns and not an objects. It is all part of the overall illusion. "When you stare into an abyss long enough, the abyss stares back into you" (Nietzsche). The more one looks for pareidolic images the more they appear.(metaphysics). Another interesting phenomenon is that out of the 500 or so photos i have, not one is facing away from the camera!!! i have a few 90 degree profiles, but 98% are facing the camera. 98% are human looking. No figure is turned away past 90 degrees. Something is trying to show us something but we are all pretty lame not to see the un-graven images. These images have been supressed by the church/state/military/industrial/educatiional system as described by William Blake, who said everyone is a visionary till the above groups take our vision away, and make us see with the sleepy single eye of Newton. Everyone wanted to record these images when there was no camera. When the camera came along people forgot about it and took pictures of everything else instead, till now. My suggestion, wait till you see a face then shoot. 1 of 6 should come out well enough to amaze you. 5 out of 6 will be O.K. also. You should get at least 1 out of 36. Sometimes you'll get 8 of 36 high quality images. Good luck. You can get better angle control with a foam core paper covered board mounted on a tri-pod. That way there is no "stretching" from non-perpendicularity.
please see
skepdic.com/pareidol.html
see this site for another of my photos about 2/3 down the page on the right side of page, put clicker arrow on photo and my name appears. It looks very similar to your photos above, because i shot it on the side of my house which has T-111 grooved siding. The upper right looks blurry but not the lines in the siding or the rest of the image. Shadows can look blurry in spots but are actually clear, it's because they are patterns and not an objects. It is all part of the overall illusion. "When you stare into an abyss long enough, the abyss stares back into you" (Nietzsche). The more one looks for pareidolic images the more they appear.(metaphysics). Another interesting phenomenon is that out of the 500 or so photos i have, not one is facing away from the camera!!! i have a few 90 degree profiles, but 98% are facing the camera. 98% are human looking. No figure is turned away past 90 degrees. Something is trying to show us something but we are all pretty lame not to see the un-graven images. These images have been supressed by the church/state/military/industrial/educatiional system as described by William Blake, who said everyone is a visionary till the above groups take our vision away, and make us see with the sleepy single eye of Newton. Everyone wanted to record these images when there was no camera. When the camera came along people forgot about it and took pictures of everything else instead, till now. My suggestion, wait till you see a face then shoot. 1 of 6 should come out well enough to amaze you. 5 out of 6 will be O.K. also. You should get at least 1 out of 36. Sometimes you'll get 8 of 36 high quality images. Good luck. You can get better angle control with a foam core paper covered board mounted on a tri-pod. That way there is no "stretching" from non-perpendicularity.
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18 years 3 weeks ago #17740
by pareidoliac
Replied by pareidoliac on topic Reply from fred ressler
Tom- It takes about 7 hours looking and shooting at images till i get one high quality. On average 6 shots one comes out high quality. I shoot anything that looks anything like a face. These images change as one looks at them. The first showed up by chance. The second i looked for showed up in ten minutes. In 4 years of shooting i got 500 pretty good images. Only on sunny days. About 4 hours a day. 200 days a year. All estimates.
The photo your seeing is actually a color photo with very little coloration. It looks very different in person. There is lots of subtle shading and coloration in the analog version that shows up very grossly on the web as everything on the web is digital as you know. Even on the web i see lots of grey not in the face exclusively. It took the above mentioned amount of shooting (1800) exposures to get "Einstein" (35 features), 250 pretty detailed and 250 less detailed photos. Your welcome, fred.
The photo your seeing is actually a color photo with very little coloration. It looks very different in person. There is lots of subtle shading and coloration in the analog version that shows up very grossly on the web as everything on the web is digital as you know. Even on the web i see lots of grey not in the face exclusively. It took the above mentioned amount of shooting (1800) exposures to get "Einstein" (35 features), 250 pretty detailed and 250 less detailed photos. Your welcome, fred.
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18 years 3 weeks ago #19129
by tvanflandern
Replied by tvanflandern on topic Reply from Tom Van Flandern
<blockquote id="quote"><font size="2" face="Verdana, Arial, Helvetica" id="quote">quote:<hr height="1" noshade id="quote"><i>Originally posted by pareidoliac</i>
<br />The photo your seeing is actually a color photo with very little coloration.<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">I suspected that because discrete shades of gray is a characteristic of converting color images to b&w.
Any chance we could see the color original? It might not mean much to your work, but might mean a great deal to us Terrans interpreting Mars imagery. -|Tom|-
<br />The photo your seeing is actually a color photo with very little coloration.<hr height="1" noshade id="quote"></blockquote id="quote"></font id="quote">I suspected that because discrete shades of gray is a characteristic of converting color images to b&w.
Any chance we could see the color original? It might not mean much to your work, but might mean a great deal to us Terrans interpreting Mars imagery. -|Tom|-
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